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+ 梁宅 / Liang's apartment

梁宅 / Liang's apartment

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Location : Taipei, Taiwan / 台北市
Area : 350 m²
Design Team : Jill Yang, Paul Chiang/ 楊珮珩 江易書
Type : Residential/ 住宅
Status : Completed 2011
Photographs : K. M. Lee

業主是一對留日的夫妻外加一位小孩。故對空間的偏好傾向自然所帶來的質樸溫潤，而非過於前衛調性與冰冷材質。由於業主收藏大量骨董家具與藝術飾品，此案的最大挑戰在於讓這些收藏品不僅便於收藏，亦帶來新的現代空間體驗，進而讓生活與空間有更真實的融合，而非一味地將看似衝突的生活物件隱藏於空間表層背後。

此案中，針對居住者大量的骨董家具收藏，如何在新與舊、傳統與現代之間，取得一種平衡是設計的主軸。於是，木格柵拉門的設計成為此案空間的靈魂所在，它以一種理性內斂的方式賦予空間隱性的人文質地。它可以隨著時間、需求而調整開闔，創造不同的空間閱讀，也賦予整體空間內斂而舒適的氛圍基調。

木格柵拉門的設計，不僅成為了不同空間的過渡方式。功能上，又可將平面上的稜角隱藏成為一密室，減低畸零空間角落。而開闔之間所延伸營造的穿透感，不僅讓居住空間在視覺上有了彈性延伸作用，更讓室內外環境有了最大的連結。

The client is a couple, educated in Japan, and their children. The family is most interested in natural pleasure and has a negative prejudice. Their collection of large amounts of antique pieces and art works made the commission so challenging because these were not exhibition pieces but parts of daily life.

While facing the precious antique pieces, CY had a different thought; he was not interested in showing their value in display boxes, rather he wanted to transform them as parts of daily life. The installation of a wood mullion sliding door was the central idea to make that transformation happen. Its status of whether open or close denotes a way that the antiques dialogue whit the living or how life needs the pieces to integrate with daily activity.

The sliding door is a panel that makes things visible or invisible. Even for a real utilitarian reason; one sliding door hides an acute internal corner and transforms it with great visual interest as a vista view.

The mullion partition further gives natural light a sensible expressive mood. It gives the space a very touching quality that belongs purely to the family and its respective members.